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Niemand hat die ganze Wahrheit, aber alle einen Teil davon +++ Nobody has the whole truth, but everyone has a part of it +++ Niemand hat die ganze Wahrheit, aber alle einen Teil davon +++ Nobody has the whole truth, but everyone has a part of it +++ Niemand hat die ganze Wahrheit, aber alle einen Teil davon +++ Nobody has the whole truth, but everyone has a part of it +++
Niemand hat die ganze Wahrheit, aber alle einen Teil davon +++ Nobody has the whole truth, but everyone has a part of it +++ Niemand hat die ganze Wahrheit, aber alle einen Teil davon +++ Nobody has the whole truth, but everyone has a part of it +++ Niemand hat die ganze Wahrheit, aber alle einen Teil davon +++ Nobody has the whole truth, but everyone has a part of it +++

THE CONGRESSES OF VIENNA

The Congresses of Vienna give a stage to discussions of socio-political issues. In essence, they confront the relationship between art, power and abuse.

210 years after the famous Congress of Vienna, which established a new authoritarian order in Europe, The Congresses of Vienna will place the discussion of socio-political issues at centre stage and (very probably, like The Vienna Trials last year) become the controversial talk of the town. The Congresses of Vienna will renegotiate the red lines of cancel culture and the entanglements behind #MeToo. Set between theatre and debate, they give a close-up and multivoiced take on the complex of love in its political and interpersonal sense. In essence, they confront the relationship between art, power and abuse. This ‘collective psychological process of communication’ (ORF) will culminate in decisions about what real change might look like. A jury of experts and specialists as well as delegates from the Council of the Republic will take to the stages of Theater Akzent and Odeon to question well-known witnesses, professionals and protagonists of current events under the direction of certified legal experts. The act of public free speech and collective listening lies at the core of this format conceived by Milo Rau, which gives theatre an exceptionally long reach into reality.

A Congress weekend

Congress weekends begin on the Friday at 7pm. Each weekend starts with two pointed opening speeches and an introduction to the topic as well as a presentation of the inquiry by the legal expert in charge of the proceedings. On Saturday and Sunday, real agents, protagonists and experts will be questioned by a high-calibre international jury and representatives of the Council of the Republic. Sunday evenings are dedicated to answering the core questions of the inquiry and presenting initial guidelines for the future.

Concept Milo Rau Dramaturgy Robert Misik, Tarun Kade, Nathalie Assmann Consultants tba
A project by Wiener Festwochen | Freie Republik Wien

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