
Inspired by Japan’s cutest hit export, cartoon character Kitty, the new play by theatre maker Satoko Ichihara is about female stereotypes, sex work and vegetarianism.
Theatre maker Satoko Ichihara stages the patriarchy’s mechanisms of oppression with a vicious, analytic and at the same time comic touch like no other. Inspired by Japan’s cutest hit export, the cartoon character Kitty, this new play is about female stereotypes, sex work and vegetarianism. If a woman wants to be attractive, she has to be childish, cute and innocent – like Kitty. With uninhibited honesty, Satoko Ichihara and her actors from Japan, South Korea and Hong Kong take us along into a not-quite-so-fictional world of ever-present pornography in which everything is turned into a commodity: meat, women, love. Satoko Ichihara is one of the most important voices of a new, actively feminist generation of theatre makers in Asia and has already caused a global sensation with her works.

Text, Direction Satoko Ichihara With Sung Soo-yeon (Creative VaQi), Yurie Nagayama (Seinendan), Birdy Wong Ching Yan (Artocrite Theater), Yuka Hanamoto (Yuka Hanamoto × Moe Matsuki) Music Masamitsu Araki Costume Shie Minamino Scenography Tomomi Nakamura Lighting Rie Uomori (kehaiworks) Video Kotaro Konishi Sound design Takeshi Inarimori Dramaturgy Takaaki Kumakura Stage management Yuhi Kobayashi Dresser Hino Korogi Production management ROHM Theatre Kyoto (Rika Kihara, Mizuki Kakita, Shunsuke Manabe) Promotional design Eiko Sasaki English Surtitles Aya Ogawa
Production ROHM Theatre Kyoto In cooperation with Kinosaki International Arts Center (Toyooka) World premiere February 2025, ROHM Theatre Kyoto With the support of The Saison Foundation (Japan)
Vienna Festival (Wiener Festwochen) 2022 MADAMA BUTTERFLY