An archive for eternity: ceramic tablets as indestructible data carriers are to be stored in the Hallstatt salt mines in order to endure beyond the end of our civilisation. Austrian Martin Kunze began to turn this idea into reality in 2012, and has since then been collecting newspaper articles, scholarly essays as well as personal stories for his Memory of Mankind. This extraordinary project inspired Swedish director Marcus Lindeen to interlace documentary material with fiction in his current work. Interviews with Kunze as well as other people – a man who suffers from a rare form of amnesia, an archaeologist who searches for traces of a lost queer civilisation – are assembled into an intimate conversation about the obsession with remembering and being remembered. In the stageless theatre, a space shared by the audience and the four performers alike, the question arises: Does the unique power of humans rest on memory or, in fact, on the ability to forget?