Spanish radical artist Angélica Liddell and Japanese writer Autor Yukio Mishima share their quest for a fusion of beauty, eroticism and death. Seppuku, also known as harakiri, is the ritualistic suicide of the Samurai and the point from which Liddell’s most recent work sets out. This reflection on death and suicide is born out of an extreme will to live. It is a farewell poem that unites pain and beauty. With a humorous touch, Liddell sets the performance apparatus in motion in order to liberate it from its role as entertainer and the moralising weight it has to bear, reverting to the age-old experience of theatre as ritual.
The first part of SEPPUKU takes place off stage – it is an appeal, an open call: ‘We ask for the garments of the dead; to receive and adore them.‘ What follows is a ritual for the dead and the living on stage. Together with performers from Japan who have long been companions of Liddell, she confronts death with lust and beauty, and life with its finite nature. Art as an expression of the desire for ecstasy.
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The company wishes to express its deepest gratitude to all those who contributed to this work by offering garments belonging to their loved ones. We also thank them for their immense generosity in sharing with us their most cherished memories. Thank you.
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Direction, Text, Scenography, Costume Angélica Liddell With Angélica Liddell, Gumersindo Puche, Alberto Alonso Martínez, Masanori Kikuzawa, Kazan Tachimoto, Ichiro Sugae Light design Javier Alegría Technical direction Maxi Gilbert Light operation Francisco Jesús Galán Sound Antonio Navarro Machinist Fernando Díaz Stage management Elena Galindo Set construction Alfonso Reverón Díaz Logistics Micaela Ferrer Production Gumersindo Puche Assistance Production Jaime Del Fresno
Production Compagnie Atra Bilis Teatro / Iaquinandi, S.L. Coproduction Vienna Festival (Wiener Festwochen) | Free Republic of Vienna, Festival Temporada Alta, Théâtre National de Strasbourg, Festival Grec, Odéon–Théâtre de l’Europe With the support of the community of Madrid
World premiere November 2025, Temporada Alta (Girona)
Special thanks to the Cervantes Institute Tokyo and Noh performer Tsuano Yamai, as well as to the Spanish Embassy, which supports the performances in Vienna.