An ensemble of marginalised characters haunts a park in Istanbul, like ghosts. Absorbed by the vastness of the city, they have turned to prostitution and now live within a system of dependencies, wondering about the possibility of relationships that are not determined by money. But how can you ever hope to be free when life itself is never really yours, but For Rent? With this merry dance of alternating scenes, author Özen Yula describes a clandestine subculture that reproduces corrupt social power structures, but also transgresses them in tender moments of togetherness. Melis Tezkan and Okan Urun, who collaborate under the name biriken and are a new disovery for Vienna, created one of the first stage productions of the text originally published in 2002. The concentrated staging contrasts the impact of the content with the minimalism of the setting. A park bench and two projection surfaces are enough to propel these remarkable actors into a cycle of crime and taboo. In a hopeless place, they are ever hopeful.