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NO MORE EXCUSES II
Concert

NO MORE EXCUSES II

Klangforum Wien, Irene Delgado-Jiménez

Concerts of the Academy Second Modernism

9 June
Mon 
7.30pm
EUR 30 / combined price EUR 45
2 hrs (incl. 1 intermission)

Concert with works by Chaya Czernowin, Katharina Ernst, Cassie Kinoshi, Lucia Ronchetti, Sara Glojnarić

How might we imagine a society that is shaped by connectedness? Connectedness with ourselves, others, our social environment. The compositions of NO MORE EXCUSES II spotlight aspects of community as well as force fields of attraction and dependence. NO MORE EXCUSES II is this year’s second concert together with Klangforum Wien to present the works of ten internationally path-breaking womxn composers at the Academy Second Modernism 2025. Their many voices rise in a second, feminist modernism, united by their confrontation of our globalised, complex times.

‘I can try to create an environment that is welcoming for connection if it should turn up.’ (Kae Tempest)

Booklet

PROGRAMME

  • Chaya Czernowin Fast Darkness III (2022)

    In the last part of a work composed as a trilogy, Fast Darkness III: Moonwords, Chaya Czernowin masterfully explores the unknown. Fast, radical gestures, loaded with powerful energy give us a sense of the existence of a far-reaching, encompassing universe of sound into which only our imagination can enter.

  • Katharina Ernst merge / emerge UA (Arbeitstitel)

    Two poles: on the one hand there is fusion, unison, and on the other the emancipatory appearance, dissonance. And in-between there is a percussive secret, a different, new order. In an allegory for the social atmosphere of our times, Katharina Ernst dedicates her world premiere to overcoming binary poles and showing us the power and potential of the in-between.

  • Improvisation Cassie Kinoshi grey cloud (2022)

    grey cloud is a triptych reflection on the struggle that is living with depression and anxiety. Natural imagery such as the sky, the sea or the movement of leaves in the wind become a vehicle through which emotional shifts are explored. grey cloud also acknowledges how mental health struggles are frequently misread, particularly in Black women, whose pain is often minimised or dismissed. Aligning with a growing recognition that therapy and emotional openness are not signs of weakness, but essential acts of care and self-preservation, grey cloud seeks to challenge the stigma surrounding mental health.

  • Lucia Ronchetti Le Palais du silence

    Claude Debussy’s Le Palais du silence was a thought experiment that was never realised about translating silent landscapes and absence into sound. Lucia Ronchetti picks it up as a theme in her work of the same name. She fills the compositional space with a timbre that oscillates between touching fragility and multi-layered intensity and at the same time lets her work ask about how we as a society deal with absence, transience and death.

  • Sara Glojnarić sugarcoating for ensemble (2017)

    sugarcoating is the first piece from the series of works of the same name by Sara Glojnarić, which readapts and reshapes pop musical sound fetishes based on data in the collection Million Songs Dataset. In an impressive piece that symbolises the digital expansion of our self between intoxication and addiction, the musicians are flooded with various sound parameters. Overwhelmed with sound, there emerges a new, dense and unknown connection that opens a space for conscious togetherness.

Please note
INFO
© Michael Breyer
© Steven Kazuo Takasugi
© Mateja Vrckovic
© Christiane Keller
© AUROREFOUCHEZ
Credits
Artistic team

Musical direction Irene Delgado-Jiménez Klangforum Wien Concept Jana Beckmann

Cooperation

In Cooperation with ORF RadioKulturhaus und Ö1

Acknowledgment

We would like to thank Barbara Ludwig | Hotel Beethoven for their support of the project.

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