Mark Fell is a multidisciplinary artist based in Rotherham, UK. His practice draws upon electronic music subcultures, experimental film, contemporary philosophy and politics. Fell’s significant body of work includes early electronic sound works and recorded pieces, installations, critical texts, curatorial projects, educational systems and choreographic performances.
In 2017 Fell curated a major exhibition of sound art for V-A-C Foundation Moscow The Geometry of Now, he led a British council research project to India to study Carnatic music composition and emergent electronic arts and the Serralves Foundation (Porto) premiered Intermetamorphosis which featured a collection of works by Fell. In 2018 he completed two large scale multi-spatial sound works: Protomusic#1 for Sage Gateshead and Frameworks at Palazzo delle Zattere in Venice. 2019 saw two new performative pieces: Hominin (Rewire, Den Haag/Bergen Kunsthall) and Against Method (Pirelli Hanger Bicocca, Milan), as well as the solo exhibition The Concept of Time is Intrinsically Incoherent at Focal Point Gallery, Southend-on-Sea. Drawing from sacred geometries to programming structures, these works underlined Fell’s particular interest in non-linear systems and structures, and our complex inter-relationships with them. Fell is currently guest professor of media art at Die Staatliche Hochschule für Gestaltung Karlsruhe (HfG).