Festwochen Comission New staging
Marlene Monteiro Freitas, Alban Berg, Maxime Pascal, ORF Radio-Symphonieorchester Wien
Lulu
based on the tragedies ERDGEIST and DIE BÜCHSE DER PANDORA by Frank Wedekind
Opera
Prices EUR 48 / 68 / 89 / 99 / 126 / 148 / Introductory matinee: EUR 5
Language German with German and English surtitles
Duration approx. 2 hrs, 45 min., incl. 1 interval
This event is over
Dates
27 May
Saturday
Time 7pm
 
29 May
Monday
Time 7pm
 
31 May
Wednesday
Time 7pm
 
2 June
Friday
Time 7pm
 
4 June
Sunday
Time 7pm
 
6 June
Tuesday
Time 7pm
 
27 May
Saturday
Time 7pm
 
29 May
Monday
Time 7pm
 
31 May
Wednesday
Time 7pm
 
2 June
Friday
Time 7pm
 
4 June
Sunday
Time 7pm
 
6 June
Tuesday
Time 7pm
 
© Monika Rittershaus
© Monika Rittershaus
© Monika Rittershaus
© Monika Rittershaus
© Monika Rittershaus
© Gerhard Richter 2022 (02082022)

Introduced and described as ‘the real beast, the beautiful wild beast’, Frank Wedekind’s Lulu experiences her rise, freedom and downfall alongside rich men willing to pay. Alban Berg’s unfinished Lulu was the first opera composed using the twelvetone technique and premiered in 1937. In 2023 it is to be staged by Marlene Monteiro Freitas, complemented with segments from the Lulu­-Suite. Invited by the Wiener Festwochen to conceive her first opera production, the choreographer collaborates with an ensemble of singers, dancers and acrobats, with the conductor Maxime Pascal positioned as a referee before the ORF Radio Symphony Orchestra seated on a stadium grandstand. The images come thick and fast – the score rich in contrasts, the extravagance of the plot, and the multifaceted identity of Lulu herself have an inspired and inspiring accomplice in the exceptional artist Marlene Monteiro Freitas.

Synopsis

Act I In a painter’s studio, Lulu is posing for a portrait. The newspaper editor Dr. Schön, who picked Lulu up off the streets, has arranged her marriage to the much older medical officer Dr. Goll. His son Alwa, a young composer, collects him from the studio to take him to the final rehearsal of his new work. No sooner is the painter alone with Lulu than the two of them begin an erotic chasing game. Lulu’s husband suddenly comes back. His jealousy is so intense that he has a heart attack and dies. – Lulu has married the painter whose portrait of her has made him a star. Dr. Schön tells Lulu that he is about to marry and demands that she break off all contact with him. Schön reminds the painter of his responsibility towards Lulu and tells him about her past and her promiscuity. The painter is so appalled that he commits suicide. – Dr. Schön has found Lulu a job as a dancer to help her find a new husband. During the performance of a play for which Alwa wrote the music, she notices Schön and his fiancée in a box and faints. In the dressing room an angry Dr. Schön demands that she continue dancing. Lulu turns the tables and forces Schön to write a farewell letter to his fiancée.
Act II Lulu has married Schön. He watches suspiciously as the lesbian countess Geschwitz makes amorous advances toward Lulu. When Schön goes out, the shifty old man Schigolch, a schoolboy, an athlete and Alwa, who has long been in love with Lulu, arrive. Schön finds the house full his wife’s lovers and wants to force her to take her own life. But instead, Lulu shoots at Dr. Schön. Now this husband dies as well. Lulu is arrested. – Risking both her life and her fortune, Countess Geschwitz has helped Lulu escape from prison. The plan is now for the athlete to marry Lulu and leave the country with her, but he refuses to see it through. Alwa escapes with her.

Artistic Team

Music Alban Berg Text Frank Wedekind, after the tragedies Earth Spirit and Pandora’s Box Direction, Choreography, Costumes Marlene Monteiro Freitas Conductor Maxime Pascal Orchestra ORF Radio-Symphonieorchester Wien With Vera-Lotte Boecker (Lulu), Bo Skovhus (Dr. Schön), Edgaras Montvidas (Alwa), Cameron Becker (Maler) Anne-Sofie von Otter (Gräfin Geschwitz), Kurt Rydl (Schigolch), Katrin Wundsam (Garderobiere / Gymnasiast), Martin Summer (Tierbändiger, Athlet), Paul Kaufmann (Prinz, Kammerdiener) Andreas Jankowitsch (Theaterdirektor), Franz Tscherne (Medizinalrat) and Francisco Rolo, Henri “Cookie” Lesguillier, Ina Wojdyła, Joãozinho da Costa, Kyle Scheurich, Nina Van der Pyl, Rui Paixão, Tomás Moital Light design Yannick Fouassier Set Yannick Fouassier, Marlene Monteiro Freitas Collaboration Direction, Choreography, Costumes Andreas Merk, Hsin-Yi Hsiang Props design Miguel Figueira Dramaturgy Armin Kerber Research João Figueira Musical collaboration Cláudio Silva Production management Joana Costa Santos, Soraia Gonçalves

Production

Production Wiener Festwochen, Theater an der Wien In collaboration with P.OR.K (Lisbon) Residency Estúdios Victor Córdon (Lisbon), O Espaço do Tempo (Montemor-o-Novo), CN D Centre national de la danse (Pantin), Fabbrica del Vapore (Milan) Performance Rights Universal Edition

Premiere May 2023, Wiener Festwochen

Previous projects by Marlene Monteiro Freitas

Wiener Festwochen 2014 Guintche
Wiener Festwochen 2016 de marfim e carne – as estátuas também sofrem
Wiener Festwochen 2019 Prelúdio para uma Purga
Wiener Festwochen 2020 Mal – Embriaguez Divina
Wiener Festwochen 2021 Pierrot lunaire
Wiener Festwochen 2022 idiota

A joint project by

Wiener Festwochen and MusikTheater an der Wien

Age recommendation

14+

Introductory matinee

14 May, 11am, Halle E im MuseumsQuartier
Price
5 Euro

Q & A

31 May, following the performance

Introduction

Every day, 30 min before the performance
Admission free

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