To Speak
Light Pours
Out -
Quellen

Die in Kate McInthoshs To Speak Light Pours Out gesprochenen Texte stammen aus vielen Quellen – von Theoretiker:innen, Dichter:innen, Akademiker:innen und Sänger:innen – geschrieben an verschiedenen Orten und zu verschiedenen Zeiten. Viele kommen aus feministischen, queeren und afrofuturistischen Diskursen. Manche Texte sind original zitiert, andere wurden von Kate McIntosh und Tim Etchells adaptiert oder gekürzt. Es ist uns ein Anliegen, den Texten durch ihre Aufführung eine möglichst direkte und einfache Stimme zu geben.

Quellen und Ausgangstexte

in chronologischer Reihenfolge

Rebecca Tamás, WITCH (Penned in the Margins, 2019). - mehr

Paul B. Preciado, Feminism Is Not a Humanism, An Apartment on Uranus: Chronicles of the Crossing (MIT Press, 2020). - mehr

Season Butler, After Berlant, text commissioned for the performance (2020). - mehr

Seloua Luste Boulbina, L’afrique et ses Fantomes, Ecrire l’Apres (Présence Africaine, 2015).‎ - mehr

Emily Beausoleil, Transforming Unjust ‘Structures of Feeling: Insights from Four Unlikely Sectors, Women Talking Politics (2019 issue). - mehr

Brandon LaBelle, Lexicon of the Mouth - Poetics and Politics of Voice and the Oral Imaginary (Bloomsbury Publishing, 2014). - mehr

Jon Young, What the Robin Knows: How Birds Reveal the Secrets of the Natural World (Houghton Mifflin Harcourt, 2012). -mehr

Elsa Barkley Brown, Polyrhythms and Improvisation: Lessons for Women's History, History Workshop 31 (1991).

Audience members’ hearts beat together at the theatre, UCL Psychology and Language Sciences website (2017). - mehr

Daniel Blanga Gubbay, The Rhythm of the Night, care-package.me (2020). - mehr

Katharina Ernst, conversational quotes (2020). - mehr

Donna Harraway, Staying With the Trouble - Making Kin in the Chthulucene (Duke University Press, 2016). - mehr

Rebecca Tamás, Witch Sex, WITCH (Penned in the Margins, 2019). - mehr

Astrid Korporaal, If All Else Fails, hoaxpublication.org (2020). - mehr

Paul B. Preciado, Moving Bodies, An Apartment on Uranus: Chronicles of the Crossing (MIT Press, 2020). - mehr

Tim Etchells, Always Bodies, text commissioned for the performance (2020). - mehr

Jo Randerson, Wolf Eats Kid, text commissioned for the performance (2020). - mehr

Bek Coogan, Sex/Art, from the album Control Freaks Rule the World by Cortina (2005). - mehr

Bernard Ighner, Everything Must Change, Interpreted by Nina Simone on the album Baltimore (1978). - mehr

David Bowie, Changes, from the album Hunky Dory (1971). - mehr

Prophecy attributed to an unnamed Hopi elder, Hopi Nation, Oraibi, Arizona USA (2000). - mehr

Weiterführende Literatur

Tim Stüttgen, IN A QU*A*RE TIME AND PLACE - Post-Slavery Temporalities, Blaxploitation, and Sun Ra’s Afrofuturism between Intersectionality and Heterogeneity. b_books, 2014. - mehr

Audre Lorde, Age, Race, Class, and Sex: Women Redefining Difference, Sister Outsider: Essays and Speeches (Crossing Press, 1984). - mehr

Astrida Neimanis, Hydrofeminism: Or, On Becoming a Body of Water, Undutiful Daughters: Mobilizing Future Concepts, Bodies and Subjectivitiesin Feminist Thought and Practice, eds. Henriette Gunkel, Chrysanthi Nigianni and Fanny Söderbäck (Palgrave Macmillan, 2012). - mehr

Emily Beausoleil, Listening obliquely: Listening as norm and strategy for structural justice. Contemporary Political Theory (2020). - mehr

Laboria Cuboniks, Xenofeminism: A Politics for Alienation (Published online, 2015). - mehr

bell hooks, Eating the Other: Desire and Resistance, Black Looks: Race and Representation (South End Press, 1992). - mehr

Carla Bergman & Nick Montgomery, Joyful Militancy - Building Thriving Resistance in Toxic Times (AK Press, 2017). - mehr

Françoise Vergès, Capitalocene, Waste, Race, and Gender, e-flux journal Issue #100 (2019) - mehr

C.K. Ladzekpo, Drum Rhythm Principles of Percussion Polyrhythm from Ghana, West Africa. U.C. Berkeley lecture available online. - mehr

Vanessa Sheared, An Afrocentric Feminist Perspective on the Role of Adult Education for Diverse Communities, International Adult & Continuing Education Conference (1996). - mehr

Ursula K. Le Guin, The Ones Who Walk Away From Omelas, The Wind's Twelve Quarters (Harper & Row, 1975). - mehr

Linn Sandberg, The Old, the Ugly and the Queer: thinking old age in relation to queer theory, Graduate Journal of Social Science, Vol. 5, no 2 (2008). - mehr

Juliana Spahr, This Connection of Everyone with Lungs (University of California Press, 2005). - mehr

Emily Rākete, In Human: Parasites, Posthumanism, and Papatūānuku, artspace-aotearoa.nz (2016). - mehr

Zadie Smith, Fascinated to Presume: In Defense of Fiction. The New York Review of Books (2019). - mehr

Alexandra Pirici & Raluca Voinea, Manifesto for the Gynecene – Sketch of a New Geological Era. LevArt /LevArText (2015). - mehr

Queer Nation Manifesto – History Is a Weapon, a manifesto originally passed out by people marching with the ACT UP contingent in the New York Gay Pride Day parade (1990). - mehr

Tucké Royale, Manifest für die Neue Selbstverständlichkeit, (2020). - mehr

Dani d’Emilia & Daniel B. Chávez, The Radical Tenderness Manifesto, Hysteria Magazine online (2015). - mehr